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quick pitch

10:00, 2006-Jul-5 .. 4 comments .. Link
    As the second hurricane to hit the gulf coast looms south of Louisiana and Texas, the protagonist prepares his family for an evacuation he does not think he will make.  Eventually as the storm becomes the third strongest in the Gulf's history; he, his wife, their two children, his father, and his stepfather hit the road and head for San Antonio.

The legendary problems of that hurricane's evecaution are experienced first hand by the family as they endure hours on the highway moving at an average speed of 1 mile per hour in most places.  The group stops for shelter at a small church where the preacher passes his time getting drunk and playing rock and roll music.  The family helps and is helped by a hispanic family, whose 9 year old daughter is the only one  in the family who speaks English.  Other evacuees include a family with a child afflicted by a pretty serious case of ADHD, and a threesome who have kicked their heroine habit, but are now strung out on methadone.

After surviving the hurricane, they make it to their destination, a friends house.  Within hours, the video from ground zero reveals that their town was hit hard by the storm.   Their house is standing, but a lot of damage has been inflicted.

Many problems hit the group, some minimal, like flat tires and maxed out credit cards; and then the ultimate tragedy - the death of the protagonist's father of kidney failure.

Through all of this, the couple stays as positive as possible, they grow closer together than they've been in years.  They decide to relocate to the San Antonio area, not expecting a perfect life, just a better one...

The father manages to mend some fences with everyone befores he dies, he had amost refused to goon the trip, but relented, as if he knew his time was short.

Unfortunately, the stepfather (his wife, the protagonist's mother had died barely 4 months before) is unable to recover from his loss and the stress, and goes back to his lonely apartment, with no power, content in his misery...


That's the pitch. The main character  finally understands that he has to grow up, even though he thought he was already grown. He and his wife finally stop hoping and searching for the perfect life and accept that in all of the bad, there is so much good, so many things of which to be thankful.

A recurring theme when there is a problem, is "Well, so we had a flat, at least it didn't happen in the middle of the hurricane," or "So the alternator went out, at least it waited until we made it to San Antonio."

At one point when the father is in the hospital; cognisant, but unable to speak because of his stroke;  the main character sighs and looks at his Dad, not realizing at the time that he has only days to live.  "Well, Dad, at least we haven't been shot at."  The father struggles but manages to raise his fingers to his lips in the "shhh." position.  Through it all, they never lost their sense of humor.

After his funeral, the couple stop at a bank to renew a loan.  When they are in the bank, it is robbed at gunpoint,  the main character almost gets shot (maybe he should get shot in the screenplay).


This is all true.  Everything here really happened, and then some. 

I think it would make a good story and would be fairly easy to write....


What do you think?

Leave a Comment

The trouble with truth

12:10, 2006-Jul-6 .. Posted by Anonymous
Mark,

It goes like this, fact is fact. It's highly personal and close to us; your story/experience especially. You lived it. No one wants to marginalize your truth; but...

But, but, but. The trouble with truth is that it's hard to manipulate it to the structure that story demands.

Why structure it? Because story isn't truth, it's entertainment. And entertainment has to be, well entertaining. It's done by manipulating emotions and time to create an experience the audience [who haven't lived your truth & don't have the same attachments to it] can attach a value to.

Gotta go. Talk later

The trouble with truth (part 2)

12:26, 2006-Jul-6 .. Posted by Anonymous
Yeah, Mark.

the audience didn't experience

back in a minute

Trouble truth (part 3)

01:33, 2006-Jul-6 .. Posted by Anonymous
Sorry. This is not a writing device, Mark. Trust me!

The audience didn't experience what you lived, so they can only watch and at best empathize with the characters in your story. That's done through the craft of cutting and pasting your truths to the most effective emotional elicitors in whatever story you decide to tell.

What the hell does that mean, Robert?

You have to manipulate (lie a little) your truth so that it translates best to those who haven't lived it. Story allows us to do that; either with fiction mixed with fact, or fact mixed with fiction. Neither fact nor fiction alone is enough to create emotional experiences in others. That's what I mean.

Your story is a good story. It's timeless. It's honest. It's also too much story, and it's been told a thousand times. As far back as Moses leading the Jews out of Egypt is how long ago and how many versions of this particular story have manifested.

So I leave you with a question, a writer's question:
What story do you want to tell?


The trouble with truth (part 4?)

10:07, 2006-Jul-6 .. Posted by WhenLightningStrikes
Mark,

Reading my comments I noticed they're anonymous. I'm WhenLightningStrikes, Robert T.

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